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| Adam Chanler-Berat as "Mark" and the company of RENT. Photo by Joan Marcus. |
Friday, September 9, 2011
NEW BLOCK OF RENT TICKETS ON SALE NOW!
Friday, September 2, 2011
OFFICIAL RENT BLOGGER INTERVIEWS ANDY SEÑOR JR.
Hello folks!
First of all, I hope all my fellow RENTheads living along the East Coast are safe and sound following Hurricane Irene. I realize this weekend was pretty scary for a lot of people, so I hope this blog post finds you well.
In decidedly happier news, I had the chance to shoot off some questions at Andy Señor Jr., former Angel and Michael Greif’s assistant for the new production. He had a lot of interesting things to say about the show's new life at New World Stages in New York City...
PAUL: You played in RENT on Broadway at the Nederlander, and now you're involved on the technical side of things in this Off-Broadway revival. One, what made you return to the show? And two, which do you like better: on-stage, or backstage?
ANDY: After being in RENT for so many years with five different companies I'm thrilled to be part of the creative team assisting Michael Greif. I have always wanted to direct as part of the future vision I had for myself. When the opportunity came along I really felt so lucky. It’s a very easy transition to begin this journey with a show and team I know so well. It felt like a perfect fit. Onstage or offstage, I think many people who have worked on this show in any capacity can say that it is very special experience. I love being able to watch the actors discover the show for the first time as I once did. It's a beautiful thing!
PAUL: With the announcement of this revival, my (and many other RENTheads') initial reaction was "Already!?" What were your thoughts on the announcement of a revival, and did you feel it was too soon?
ANDY: It's never too soon for RENT. People want to see this show. People love it.
PAUL: We're seeing a common thread throughout this production. We have the return of Michael Greif to the director's seat, Jeffrey Seller, Kevin McCollum and Allan Gordon producing again, Angela Wendt doing costumes, etc. What do you think of the "If it ain't broke don't fix it" mentality?
ANDY: I don’t think anything is being fixed, but rather explored. I think it’s great that we get to return and see the show again from a different perspective. We get to listen with fresh ears and eyes and go on a journey as if for the first time.
PAUL: Though we do see a lot of familiar faces during this revival, as you've mentioned, this is very much a new staging, and a new production. What are some of the new aspects of the show that excite you the most?
ANDY: Being a former Angel, I LOVE MJ's Angel in this production. I love the costume and the interpretation. I think it's spot on. On a minor detail...I love all the candles flickering throughout the show. It feels like one big memorial. It's also exciting to get to see the show! I've always been onstage!
PAUL: RENT obviously takes place in a much different New York than the one we see today. How do you bring RENT to a new generation and still make it relevant?
ANDY: How? You just do. The show is written with so much truth and love...two things that can never be outdated.
PAUL: I've talked with Drew Hodges and Jeffrey Seller, and they are both fans of I'll Cover You and the Reprise, and they both have a particular fondness for Collins. So, I must ask, what is Andy Señor Jr.'s favorite character/song, and why?
ANDY: I love Roger. I love his willingness to continue to want to create something lasting and impacting despite the circumstances he faces. It takes something to still be willing to pick up a guitar and write a song. There must be an undercurrent of hope and life still inside. I think that’s beautiful. That’s what I love about the show. I feel that all the characters do this.
PAUL: And for favorite song?
ANDY: I love Without You. Why? Because it's humanity never fails to move me.
I want to give a big Thank You to Andy for taking time out of his busy schedule to talk with me. And for you reading, be sure to keep checking back here for more great interviews with the cast and creative team!
Paul
Click here to view Andy's photos of the RENT cast in rehearsal. (You must log in to Facebook to see these photos.)
Follow Andy on Twitter: @andysenorjr
First of all, I hope all my fellow RENTheads living along the East Coast are safe and sound following Hurricane Irene. I realize this weekend was pretty scary for a lot of people, so I hope this blog post finds you well.
In decidedly happier news, I had the chance to shoot off some questions at Andy Señor Jr., former Angel and Michael Greif’s assistant for the new production. He had a lot of interesting things to say about the show's new life at New World Stages in New York City...
![]() |
| Andy Señor Jr. |
ANDY: After being in RENT for so many years with five different companies I'm thrilled to be part of the creative team assisting Michael Greif. I have always wanted to direct as part of the future vision I had for myself. When the opportunity came along I really felt so lucky. It’s a very easy transition to begin this journey with a show and team I know so well. It felt like a perfect fit. Onstage or offstage, I think many people who have worked on this show in any capacity can say that it is very special experience. I love being able to watch the actors discover the show for the first time as I once did. It's a beautiful thing!
PAUL: With the announcement of this revival, my (and many other RENTheads') initial reaction was "Already!?" What were your thoughts on the announcement of a revival, and did you feel it was too soon?
ANDY: It's never too soon for RENT. People want to see this show. People love it.
PAUL: We're seeing a common thread throughout this production. We have the return of Michael Greif to the director's seat, Jeffrey Seller, Kevin McCollum and Allan Gordon producing again, Angela Wendt doing costumes, etc. What do you think of the "If it ain't broke don't fix it" mentality?
ANDY: I don’t think anything is being fixed, but rather explored. I think it’s great that we get to return and see the show again from a different perspective. We get to listen with fresh ears and eyes and go on a journey as if for the first time.
PAUL: Though we do see a lot of familiar faces during this revival, as you've mentioned, this is very much a new staging, and a new production. What are some of the new aspects of the show that excite you the most?
![]() |
| MJ Rodriguez as Angel. Photo by Joan Marcus. |
PAUL: RENT obviously takes place in a much different New York than the one we see today. How do you bring RENT to a new generation and still make it relevant?
ANDY: How? You just do. The show is written with so much truth and love...two things that can never be outdated.
PAUL: I've talked with Drew Hodges and Jeffrey Seller, and they are both fans of I'll Cover You and the Reprise, and they both have a particular fondness for Collins. So, I must ask, what is Andy Señor Jr.'s favorite character/song, and why?
ANDY: I love Roger. I love his willingness to continue to want to create something lasting and impacting despite the circumstances he faces. It takes something to still be willing to pick up a guitar and write a song. There must be an undercurrent of hope and life still inside. I think that’s beautiful. That’s what I love about the show. I feel that all the characters do this.
PAUL: And for favorite song?
ANDY: I love Without You. Why? Because it's humanity never fails to move me.
I want to give a big Thank You to Andy for taking time out of his busy schedule to talk with me. And for you reading, be sure to keep checking back here for more great interviews with the cast and creative team!
Paul
Click here to view Andy's photos of the RENT cast in rehearsal. (You must log in to Facebook to see these photos.)
Follow Andy on Twitter: @andysenorjr
Monday, August 29, 2011
RENT IS BACK HOME
Enter to win a pair of tickets to RENT at New World Stages! Visit www.facebook.com/everythingisrent for details.
Now through September 4, 2011, buy tickets to RENT and save! Click here to take advantage of this special offer.
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Friday, August 26, 2011
RENT PERFORMANCES CANCELED AUGUST 27 AND 28, 2011
RENT has canceled the Saturday, August 27th and Sunday, August 28th performances at New World Stages due to expected extreme weather, and the related shutdown of New York City transit. Please contact your point of purchase to exchange your tickets for another date.
Thursday, August 11, 2011
THE JOURNEY BEGINS FOR YOUR OFFICIAL RENT BLOGGER
I woke up around 5:00 am E.S.T. after a night of barely any sleep. I grabbed my luggage and suits and threw them into my car. After passing an accident that involved a big rig and a moose, I met up with my friend, Katie and we were on our way. Yes, I was going from one of the most rural towns in America to NYC, the urban/artistic center of the world. Fish out of water? You could say that.
We arrived at the beautiful Roger Smith Hotel prior to our room being ready, but a meeting with Drew Hodges at 3pm meant I needed to be ready now. So imagine, if you will, two hicks from Maine changing out of their travel clothes and trying to quickly put on a decidedly nicer attire in the bathroom of a fancy hotel in NYC. Oh the things I'll do for you, RENT.
We burst out of the front doors of the hotel, looking as nice as one could look by Maine standards, and I took the first steps on my journey as your RENT blogger.
The next day, I stood inside New World Stages with excitement pumping through my veins. I grabbed my camera and began interviewing people outside the theater. (This video would've been posted, had the audio not been messed up.) I met Kristy and Terry from New Brunswick, and three people who had just met through their love of the show. (One guy was from Ireland.) Before I could find someone else to barrage with questions, the doors swung open and the crowd, including me, made their way into the theater.
The stage for the RENT revival is very reminiscent of its predecessor, but gone is the monument of steel that sat proudly on Stage Left. The set is dark and intricate; a mass of scaffolding spreads out and hugs the entirety of the stage. It works. Roger strolls onto stage with his guitar in hand, just like he always did, and the show begins… on Christmas Eve.
RENT is very much the same show. The new musical arrangements will be hard for even the RENTiest of RENTheads to put their finger on… Which is a good thing. The occasional changed or dropped lyric will jar your attention, but that's because we've all listened to the old arrangements thousands of times. A RENT virgin will have no clue that anything was changed. And when you think about the changes critically, you can understand why they were made.
The costumes are new, but recall the same aesthetic feel as the originals. Mark's glasses and sweater have been turned in for a beanie and a plaid shirt; the latter of which recalls Mark's old jacket. Angel's costumes are the most drastically changed. The Santa outfit has been replaced with a costume that makes him look more like a tree ornament, and his Pussy Galore has never looked better. I could go on and on about all the changes, but I don't want to ruin them for anyone.
Jonathan Larson wrote RENT as an ode to his friends living in NYC, some struggling with AIDS. So, the attention grabber of the night was the characterization of Mark… He. Was. Jon. Look up videos of Jon playing his piano on YouTube. Those mannerisms and charismatic qualities were all funneled into our narrator. I applaud the direction, but also the fantastic work done by Adam Chanler-Berat. It was the most wonderful and beautifully poetic thing I took away from this show. It just seemed right.
In my opinion everything about the RENT revival seems right. The cast, the costumes, the set, the sound, the lighting, the direction… EVERYTHING is spot on. Michael Greif said that with so little time between RENT's run at NYTW and its move to Broadway, things that he wanted to update and improve in the show were impossible due to the time constraints. RENT on Broadway was very much the same show it was at NYTW.
But now, it seems with RENT returning to its roots, that this is the best way to see it. Its own sentimentality and newly injected energy sends it over the top. I was sad to think of RENT no longer being what I knew it to be when I saw it those years ago, but that chapter is over. It lives on in our memories, and in our DVD collections.
RENT's new life is something I'm very excited for, and you should be too. RENT opens today. If you are reading this, you NEED to experience it. I promise you won't regret it.
Paul
www.siteforrent.com
We arrived at the beautiful Roger Smith Hotel prior to our room being ready, but a meeting with Drew Hodges at 3pm meant I needed to be ready now. So imagine, if you will, two hicks from Maine changing out of their travel clothes and trying to quickly put on a decidedly nicer attire in the bathroom of a fancy hotel in NYC. Oh the things I'll do for you, RENT.
We burst out of the front doors of the hotel, looking as nice as one could look by Maine standards, and I took the first steps on my journey as your RENT blogger.
The next day, I stood inside New World Stages with excitement pumping through my veins. I grabbed my camera and began interviewing people outside the theater. (This video would've been posted, had the audio not been messed up.) I met Kristy and Terry from New Brunswick, and three people who had just met through their love of the show. (One guy was from Ireland.) Before I could find someone else to barrage with questions, the doors swung open and the crowd, including me, made their way into the theater.
The stage for the RENT revival is very reminiscent of its predecessor, but gone is the monument of steel that sat proudly on Stage Left. The set is dark and intricate; a mass of scaffolding spreads out and hugs the entirety of the stage. It works. Roger strolls onto stage with his guitar in hand, just like he always did, and the show begins… on Christmas Eve.
RENT is very much the same show. The new musical arrangements will be hard for even the RENTiest of RENTheads to put their finger on… Which is a good thing. The occasional changed or dropped lyric will jar your attention, but that's because we've all listened to the old arrangements thousands of times. A RENT virgin will have no clue that anything was changed. And when you think about the changes critically, you can understand why they were made.
The costumes are new, but recall the same aesthetic feel as the originals. Mark's glasses and sweater have been turned in for a beanie and a plaid shirt; the latter of which recalls Mark's old jacket. Angel's costumes are the most drastically changed. The Santa outfit has been replaced with a costume that makes him look more like a tree ornament, and his Pussy Galore has never looked better. I could go on and on about all the changes, but I don't want to ruin them for anyone.
Jonathan Larson wrote RENT as an ode to his friends living in NYC, some struggling with AIDS. So, the attention grabber of the night was the characterization of Mark… He. Was. Jon. Look up videos of Jon playing his piano on YouTube. Those mannerisms and charismatic qualities were all funneled into our narrator. I applaud the direction, but also the fantastic work done by Adam Chanler-Berat. It was the most wonderful and beautifully poetic thing I took away from this show. It just seemed right.
In my opinion everything about the RENT revival seems right. The cast, the costumes, the set, the sound, the lighting, the direction… EVERYTHING is spot on. Michael Greif said that with so little time between RENT's run at NYTW and its move to Broadway, things that he wanted to update and improve in the show were impossible due to the time constraints. RENT on Broadway was very much the same show it was at NYTW.
But now, it seems with RENT returning to its roots, that this is the best way to see it. Its own sentimentality and newly injected energy sends it over the top. I was sad to think of RENT no longer being what I knew it to be when I saw it those years ago, but that chapter is over. It lives on in our memories, and in our DVD collections.
RENT's new life is something I'm very excited for, and you should be too. RENT opens today. If you are reading this, you NEED to experience it. I promise you won't regret it.
Paul
www.siteforrent.com
Wednesday, August 10, 2011
OPENING NIGHT LOTTERY
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| The company of RENT. Photo by Joan Marcus. |
Lottery Details:
RENT will sell 16 seats via a lottery for each performance at New World Stages (340 West 50th Street). The tickets will be $25, cash only. All tickets include a $1.50 facility fee.
Names will be collected in front of the Box Office (outside on 50th Street) from the beginning of the lottery until drawing time. Limit one (1) entry per person, each person may win up to two (2) tickets. Must be present at the time of the drawing to win. Must present valid photo ID to purchase tickets.
Click here for the lottery schedule for regular performances.
Monday, August 1, 2011
OFFICIAL RENT BLOGGER INTERVIEWS DREW HODGES
Official Blogger, Paul, recently sat down with Drew Hodges, Founder and CEO of SpotCo, RENT's advertising agency. Check out Paul's interview with Drew now!
For tickets and information about RENT at New World Stages, visit www.siteforrent.com.
For tickets and information about RENT at New World Stages, visit www.siteforrent.com.
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